Home > Posts by Molly Cross-Blanchard

Indigenizing Theatre: An interview with Kamloopa Fire Creator Kim Senklip Harvey

Kamloopa is an Indigenous artistic ceremony that follows two urban Indigenous sisters, Kilawna and Mikaya, and their new friend, Edith, as they struggle in their own ways to understand themselves and their cultures. As they each come to terms with what it means to reconnect with their homelands, ancestors, and one another, it becomes clear that this story is not a hero’s journey; it doesn’t follow the “typical” three act play in structure or story arc. The artistic ceremony focusses on kinship relations, rather than a central conflict: this is a journey between women, a journey that happens within, between, and outside of themselves. It’s a journey that happens on Indian time: existing now, bringing the past, and holding the future. As the three women move through the world, they face issues of assimilation, disconnection, and loss, and the audience is witness to every ignorant, painful, funny, and awkward moment of what it means to find your way home again.

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Stones Skipping Across Water: On Klara du Plessis’ Ekke

 

Klara Du Plessis
Ekke
Palimpsest Press

Review by Anna Geisler

Even our finite world is brimming with choices, possibilities, transformations—this struck me as the main tenet in Klara du Plessis’ debut collection, Ekke. Her resonant poems, influenced by landscape, place, the body, and art, explore the exciting and multitudinous influences that act upon us in this seemingly concrete world. 
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“Letter to My Former Selves” by Lydia Kwa Wins the Earle Birney Poetry Prize

PRISM international is proud to announce the winner of the 2017 Earle Birney Poetry Prize is Lydia Kwa for her poem “Letter to My Former Selves” published in PRISM 56.1: Liminal, available now!

Earle Birney established UBC’s MFA program in Creative Writing in 1965–the first university program in Canada. The Earle Birney Poetry Prize, awarded annually and worth $500, is PRISM‘s only in-house prize. A very special thanks to Mme. Justice Wailan Low for her generous and ongoing support.

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Where Statues Once Stood: On Rachel Cusk’s Kudos

Review by Will Preston

There’s a moment towards the end of Kudos, the final installment of Rachel Cusk’s groundbreaking Outline trilogy, when the whole work—hundreds of pages of characters and conversation—abruptly and elegantly folds in on itself, smaller and smaller until, like a magic trick, it fits inside a single, luminous image. On her way to dinner in an unnamed European country, our narrator, Faye, is pulled off on a detour by her companion. Their destination is an old church that was completely ravaged by fire some fifty years earlier: the paintings and statues destroyed, the stonework “split into two by the heat.” Instead of restoring the church, Faye’s companion explains, the damaged interior was left untouched and reopened for worship. On her first visit, she had found the blackened interior so distressing she had wanted to scream. But then she realized the scorched walls were covered with something like images, ghostly shapes and textures left by the flames:

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Get to Know: Our Jacob Zilber Prize Winners

We’re so excited to introduce you to our Jacob Zilber prize winners, whose pieces you can read in our Summer issue, 56.4. The characters in these stories transport a dead body along a bourbon-hued river in the Philippines, hunt for the perfect pig-feet in Seoul and come to understand their pasts in the woven strands of carpets. Let’s get to know the minds behind these complex worlds.

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