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Jessica Bebenek photo by Joanna Gigliotti

Get to Know: Jessica Bebenek

Get to Know is a new PRISM interview series dedicated to introducing you to our favourite writers and contributors by way of a range of questions that touch on quotidian details, public spaces, risk-taking, and advice for young writers. This week it’s our pleasure to introduce you to Jessica Bebenek (@notyrmuse), a writer and transdisciplinary artist currently pursuing an MA at Concordia University in Montreal. Her non-fiction piece “For J appeared in PRISM’s Spring 2017 issue after being shortlisted for our Non-Fiction Contest; this piece is part of Writing for Men, a non-fiction collection she’s currently working on.

Bebenek’s poetry chapbook Fourth Walk was released this Spring by Desert Pets Press, and she is currently completing her first full collection of lyric poetry, No One Knows Us Here. This Fall, the knitted tapestries in Bebenek’s k2tog series, which explore how women speak to each other through both ‘art’ and ‘craft,’ will be displayed at The Gladstone’s Hard Twist exhibition, alongside the launch of her accompanying chapbook of knitting patterns (k2tog), forthcoming from Berlin’s Broken Dimanche Press. You can find further info on publications and readings on Bebenek’s website.
Continue reading Get to Know: Jessica Bebenek

Next Year For Sure

Loneliness, Polyamory, and Possibility in Zoey Leigh Peterson’s “Next Year, For Sure”

Review by Carly Rosalie Vandergriendt

Next Year, For Sure

Zoey Leigh Peterson

Doubleday Canada

It’s tempting to call Next Year, For Sure, a novel about a millennial couple that happens upon polyamory, a “light” read. Because in many ways, it is a light read. Award-winning short story writer and debut novelist Zoey Leigh Peterson’s prose is deceptively addictive, the kind of writing that can easily keep a reader up until two or three in the morning. (I read it twice; I stayed up late finishing it both times.) Her main characters, nine-years-and-still-going-strong couple Chris and Kathryn, are sensitive and self-aware yuppie Vancouverites who verge on being likeable to a fault. The novel opens with Chris telling Kathryn he has a crush on Emily, a woman he met at the laundromat. Kathryn suggests he take her out on a date, the plot takes off at a brisk pace, alternating between Chris and Kathryn’s point of view as they navigate opening their relationship up to a third person over the course of the year that follows.

Continue reading Loneliness, Polyamory, and Possibility in Zoey Leigh Peterson’s “Next Year, For Sure”

Photo credit: Red Works, Nadya Kwandibens

I have been learning Cree my whole life: An Interview with Artist Joi T. Arcand

Interview by Michelle Cyca. Photo by Red Works: Nadya Kwandibens

Joi T Arcand is a multidisciplinary artist from Saskatchewan, currently living in Ottawa. A nehiyaw iskwew from the Muskeg Lake Cree Nation, Joi’s body of work includes representations of the Cree language in photography and other mediums, and she has been exhibited across Canada, including at Vancouver’s grunt gallery. She co-created kimiwan, a quarterly publication for and by Indigenous visual artists and writers that published eight issues between 2012 and 2014. Her piece Northern Pawn, Southern Vietnam appeared on the Spring 2017 cover of PRISM international.

Joi Cover-page-001

What was it like to grow up on Muskeg Lake? Continue reading I have been learning Cree my whole life: An Interview with Artist Joi T. Arcand