Book Porn, featuring Brian Dettmer

I guess I should call Brian Dettmer’s work “book art,” rather than “book porn,” but for bookworms, his work truly does inspire a racing heart, sweaty palms, and…other reactions. How exactly does he do it?

On Dettmer’s website, he describes how he sculpts old books into works of art:

“I begin with an existing book and seal its edges, creating an enclosed vessel full of unearthed potential. I cut into the surface of the book and dissect through it from the front. I work with knives, tweezers and surgical tools to carve one page at a time, exposing each layer while cutting around ideas and images of interest. Nothing inside the books is relocated or implanted, only removed. Images and ideas are revealed to expose alternate histories and memories.”

In collaboration with the authors of the original works, he interacts with words and pictures as they slowly emerge from the interior of the books. This interaction produces book sculptures that are striking and evocative.

I am particularly drawn to the pieces carved from books on medicine and anatomy. For example:

The Household Physicians, 2008, Brian Dettmer and Kinz + Tillou Fine Art

The Household Physicians, 2008, Altered Books, 10-1/2" x 8" x 12" - Image Courtesy of Brian Dettmer and Kinz + Tillou Fine Art

Effect of Sensory may also be detected, 2008, Image Courtesy of Brian Dettmer and Packer Schopf

Effect of Sensory may also be detected, 2008, Altered Book, 9-1/2" x 9" x 2-3/4" - Image Courtesy of Brian Dettmer and Packer Schopf

More pictures of Dettmer’s work can be found here.

Brian Dettmer – Remixed Media from Alfredo Aponte on Vimeo.

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Fun & Fearless: PRISM talks with Fiction Contest Judge Jessica Grant

Tomorrow is the deadline for our Short Fiction and Poetry contests, so we thought it’d be a good time to share some wisdom from this year’s fiction judge Jessica Grant.

PRISM: In your short story collection “Making Light of Tragedy”, the stories vary a lot in length. How do you know when a story is finished?

JG: I think if you can put a story aside for a few days, then come back to it, read it as if you didn’t write it, and find it satisfying, then it is finished.

PRISM: Can you think of an example of a story where you were really stuck and what got you unstuck?

JG: Yes, there are times when the writing is no longer fun, and then you get stuck. Or you get stuck, and the writing stops being fun. I’m not sure which comes first. In any case, if I’m not enjoying what I’m writing, then a reader will probably not enjoy reading it, so I stop and take the story in a different direction. Or I scrap it entirely and start something new. I try to write what is fun for me to write, and I keep my fingers crossed it will be fun for a reader, too.

PRISM: Best piece of writing advice?

JG: Be fearless. Remember the story is yours and you can do whatever you want. Have fun. Be honest. Write quickly and edit later.

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REVIEW: Persistence: All Ways Butch and Femme


Persistence: All Ways Butch and Femme
Ivan Coyote and Zena Sharman, eds.
Arsenal Pulp Press, 2011

Reviewed by Sigal Samuel

“Are you attracted to women more feminine than you? Then you’re butch. Are you attracted to women more masculine than you? Then you’re femme. Simple, except when it’s not.” These words, from Nairne Holtz’s essay in Persistence, get at the heart of the anthology’s mandate: to explore the two most popular lesbian identities – the “masculine” butch and the “feminine” femme – while resisting easy dichotomies and reductive stereotypes.

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PRISM’s Nonfiction Contest Shortlist!

After rounds and rounds of reading, PRISM is pleased to announce the shortlist for our 2012 Nonfiction Contest:

  • “Something as Big as a Mountain” by Jane Cawthorne
  • “Rules of Play” by Katie Fritz
  • “You Want a Social Life with Friends” by Courtney Gillette
  • “Eviction Day” by Eryn Hiscock
  • “Home Field” by T.W. Laing
  • “Ice Diaries: a climate change memoir” by Jean McNeil
  • “The Skeleton Coast” by Jean McNeil
  • “End of the Rope” by Jan Redford
  • “Pick” by Jenna Spearing
  • “Kerosene: a Love Story” by Ayelet Tsabari
  • “Snapshots” by Sarah Turner

Congratulations to the shortlisted writers! And a huge thanks to all of you who shared your writing with us.

The winner will be announced next week.

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POETRY & SHORT FICTION CONTEST DEADLINE EXTENDED

Good news! You still have time to submit your entry (or entries) to PRISM’s Poetry and Short Fiction Contests! We’re extending the deadline to February 3rd! Enter online or send us your submission snail mail.

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REVIEW: Pretty, by Greg Kearney

Pretty
By Greg Kearney
Exile, 2011

Reviewed by Veronique West

Awkward, overweight, washed-up, sexually-frustrated, disenchanted: the incredibly average misfits who people Greg Kearney’s set of short stories are anything but pretty – and therein lies their appeal. Kearney’s narratives are delivered in bite-sized slice-of-life narratives. His voice, clever, irreverent and unabashed, captures the reader’s attention. His ability to ridicule and make theatrical the very unglamorous nature of modern domestic life, sometimes to the point of parody, truly engages. It is this ability which fuels Pretty, making it an undeniably entertaining read – though the witty criticism it presents of contemporary living and the sympathy it stirs for those unsuited to its expectations falls somewhat short of thought-provoking insight and profundity.

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What’s worth 500 billion words?

A graph on Ngram Viewer, that’s what. Drawing from five centuries of the printed word (that’s 5.2 million books in Chinese, English, French, German, Russian and Spanish), the free online tool provides hours of word-geek delight. How long was “thou” preferred over “you?” Which came first, the “chicken” or the “egg?” Google’s digitization of books has stirred much debate in the publishing and writing world. This tool is a glimpse into how some of that data can be used. Except when you enter the search phrase “never, gonna, give, you, up.” Then strange things happen. Always.

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