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The Deep Cove

“To Love the Coming End:” An Interview with Leanne Dunic

Interview by Mikaela Asfour.

Leanne Dunic is a writer, multidisciplinary artist, singer/guitarist of The Deep Cove, and winner of the Alice Munro Short Story Prize in 2015.

Her poetic travelogue, To Love the Coming End, was published in 2017, and takes place in Singapore, Japan, and Canada. The narrator, thrown off balance by a personal loss, deftly juxtaposes the impact of grief on the human body and psyche with the patterns and rhythms of historical and natural disasters— all the while haunted by the “curse of 11.”

Leanne is featured in two upcoming events at the Vancouver Writer’s Festival. She will be reading and performing with her band, The Deep Cove, at Dance to the Coming End on Thursday October 19th at 8:30 PM at Performance Works, where the Open Book Art Collective will be showcasing their artworks inspired by To Love the Coming End.

Leanne will also appear on the True Confessions and Tall Tales panel with Hera Lindsay Bird, Dina Del Bucchia, and Zoey Leigh Peterson on Friday October 20th at 8:30 PM at the Revue Stage, where they will discuss the line between fiction and nonfiction.

The Deep Cove’s release show for their first upcoming album, To Love the Coming End of the World—a companion to Leanne’s book— will take place on Saturday November 4th at the Fox Cabaret, with a solo guest performance by José Miguel Contreras (By Divine Right).

Three tracks from The Deep Cove’s upcoming album can be downloaded for free at bookthug.ca/thedeepcove.

Continue reading “To Love the Coming End:” An Interview with Leanne Dunic

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Liminal Poetry Teaser: “Deep-sea Radio” by Ned Baeck

As we wait for our first themed issue in four years, “Liminal,” to return from the printer, our poetry editor, Shazia Hafiz Ramji, shares a sneak peek from its pages. “Deep-sea Radio” by Ned Baeck is forthcoming in the Fall issue (56.1) of PRISM. Shazia first heard Baeck read his work at an open mic at the Cottage Bistro in Vancouver and reached out to him for some poems soon after. Read Baeck’s poem, “Deep-sea Radio,” below.

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Continue reading Liminal Poetry Teaser: “Deep-sea Radio” by Ned Baeck

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Hot-tempered Divinity: A Review of Aidan Chafe’s “Right Hand Hymns”

Review by Annick MacAskill

Right Hand Hymns

Aidan Chafe

Frog Hollow Press

Last October, my friend David Alexander (Modern Warfare, Anstruther Press, 2016) and I went to an Anstruther Press and Baseline Press chapbook launch to see a few poets we knew. When I heard Aidan Chafe read from his debut chapbook, Sharpest Tooth (Anstruther Press, 2016), I immediately wanted to buy his collection. I was drawn by Chafe’s strong imagery and measured, almost laconic consideration of the destructive ferocity and violence of the natural and human worlds.

When I saw that Chafe had released a second chapbook, Right Hand Hymns (Frog Hollow Press, 2017), I was eager to read his new work. The theme of violence continues in this collection, but instead of exploring this theme in poems about hunting, woods, and wolves, Right Hand Hymns evokes a similar wildness and chaos in poems about family, religion, and mental health.

Continue reading Hot-tempered Divinity: A Review of Aidan Chafe’s “Right Hand Hymns”

Jessica Bebenek photo by Joanna Gigliotti

Get to Know: Jessica Bebenek

Get to Know is a new PRISM interview series dedicated to introducing you to our favourite writers and contributors by way of a range of questions that touch on quotidian details, public spaces, risk-taking, and advice for young writers. This week it’s our pleasure to introduce you to Jessica Bebenek (@notyrmuse), a writer and transdisciplinary artist currently pursuing an MA at Concordia University in Montreal. Her non-fiction piece “For J” appeared in PRISM’s Spring 2017 issue after being shortlisted for our Non-Fiction Contest; this piece is part of Writing for Men, a non-fiction collection she’s currently working on.

Bebenek’s poetry chapbook Fourth Walk was released this Spring by Desert Pets Press, and she is currently completing her first full collection of lyric poetry, No One Knows Us Here. This Fall, the knitted tapestries in Bebenek’s k2tog series, which explore how women speak to each other through both ‘art’ and ‘craft,’ will be displayed at The Gladstone’s Hard Twist exhibition, alongside the launch of her accompanying chapbook of knitting patterns (k2tog), forthcoming from Berlin’s Broken Dimanche Press. You can find further info on publications and readings on Bebenek’s website.

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Table Manners: An Interview with Catriona Wright

Table Manners

Catriona Wright

Véhicule Press, 2017

Interview by Matthew Walsh

Catriona Wright, poetry editor for The Puritan, an online magazine based out of Toronto, came to Vancouver recently to promote her debut poetry collection, Table Manners, at the Tonic Reading Series in June. The poems in this collection move with amazing precision and never go stale, leaving the reader with a richer vocabulary. Wright is a poet with a sharp eye and endless imagination. In this interview, we talked about food, inspiration, and how this book came together in what can only be described as a poetic feast for the mind.

Continue reading Table Manners: An Interview with Catriona Wright