Review by Sarah Higgins Creeps by David E. Freeman and RealWheels Theatre The Cultch Theatricality is put to excellent use as a catalyst for reflection in RealWheels Theatre’s production of Creeps. David E. Freeman’s play explores the experience of four...
Preview by Sarah Higgins Creeps by David E. Freeman and RealWheels Theatre The Cultch “I think what’s really important that the disability experience is the human experience,” says Rena Cohen, producer and dramaturge...
Review by Sarah Higgins The Pianist: A Concert Catastrophe by Thomas Monckton The Cultch Theatre always has a little magic in it—the lights, the shared space, the worlds created onstage. But Thomas Monckton and Circo...
Review by Sarah Higgins I Want to Tell You Something by Caroline Sniatynski rEvolver Festival, The Cultch I want to tell you that as I made my way into the Founder’s Lounge at The Cultch for Caroline Sniatynski’s one...
Review by Sarah Higgins Leftovers The Cultch York Theatre Charles Demers is, like all good humans (and diamonds), multifaceted: comedian, author, teacher, socialist, dad, storyteller. And now, theatre artist. With Marcus Youssef and Neworld Theatre, Demers created Leftovers, presented...
Review by Sarah Higgins As the inaugural show in the Club PuSH, The PuSH International Performing Arts Festival presented Stewart Legere and The Accidental Mechanics Company’s Let’s Not Beat Each Other To Death. This one man, multi-genre performance, written...