Interview by Emma Cleary Welcome back to Between Us, a conversation series that spotlights immigrant/first-gen Canadian writers. In this second installment, we focus on hyphenated Canadian identities—writers born in Canada whose families also have roots elsewhere—and consider how place...
Our Poetry and Prose editors had a difficult time sifting through all this past year’s fantastic writing in search of our six nominees for The Pushcart Prize, but reminiscing about all of their favourite pieces was a bonus! Thank you to all the contributors who made the task both difficult and rewarding. Below is our list of nominations for the 2017 Pushcart Prize.
Jill Talbot was the grand prize winner of our inaugural Grouse Ground Lit Prize for V Short Forms! Read her winning piece, “Girls,” and get it in print in our Liminal issue 56.1! Eliza here is obsessed with memes,...
Billy-Ray Belcourt is from the Driftpile Cree Nation and is a PhD student in the Department of English & Film Studies at the University of Alberta. His work has been widely published in magazines across Canada, and he has been named by Tracey Lindberg as one of six Indigenous writers to watch. In Billy-Ray Belcourt’s debut poetry collection with Frontenac House, This Wound is a World, love answers heartbreak, “history lays itself bare” (42) and a world glimmering with decolonial love and queer, Indigenous possibilities is split open. This is poetry at its brightest. It is electric, profound, necessary work. Belcourt bends genre, challenging the cage of colonialism through a poetics of intimacy. It is a collection unafraid to ask questions, exploring grief, desire, queer sexuality and Indigeneity with tender honesty. Belcourt asks us to consider the ways Indigenous bodies can be simultaneously unbound and “rendered again,” (40) how worlds can be made and unmade. These are poems to be returned to again and again with reverence. PRISM editors, Jessica Johns and Selina Boan were thrilled to be able to sit down with Billy-Ray during his Vancouver book launch and chat about Indian Time, queer Indigenous futures, and the armpit as heaven’s wormhole.
Continue reading Everything is Something Else: In Conversation with Billy-Ray Belcourt
Reminder! PRISM international is offering free entries for self-identifying Indigenous writers for our Jacob Zilber Prize for Short Fiction contest! This contest is being judged by the amazing Thalia Field, and closes on January 15, 2018. Indigenous writers are invited to submit by emailing assistant@prismmagazine.ca by...
Interview by Sonal Champsee.
Jessica Westhead’s fiction has been shortlisted for the CBC Literary Awards, selected for the Journey Prize anthology, and nominated for a National Magazine Award. She is the author of the novel Pulpy & Midge (Coach House Books, 2007) and the critically acclaimed short story collection And Also Sharks (Cormorant Books, 2011), which was a Globe and Mail Top 100 Book and a finalist for the Danuta Gleed Short Fiction Prize. Her new short story collection is called Things Not to Do.
Continue reading Search for the Humour: An Interview with Jessica Westhead
Interview by Selina Boan. Liz Howard’s Infinite Citizen of the Shaking Tent won the 2016 Griffin Poetry Prize, the first time the prize has been awarded to a debut collection. Howard received an Honours Bachelor of Science with High Distinction from the University of...
Interview by Emma Cleary
Welcome to the first installment of Between Us, a conversation series by, for, and between immigrant/first-gen Canadian writers. We’re featuring writers who move back and forth across the hyphen, straddling old country and new, negotiating ideas of home-place, belonging, and identity. Writers who create within and beyond the categories of “Canadian literature” and “Canadian immigrant literature.”
Order a copy of our Fall 2017 Liminal issue now! Contents Kyla Jamieson and Shazia Hafiz Ramji – Letters from the Editor Grouse Grind Lit Prize Winner Jill Talbot – Girls No Tether Sarah Van Bonn – A Year Nowhere...