Can you believe it’s been only months since PRISM last spoke to Billy-Ray Belcourt? A lot has happened since then (*cough* Griffin Poetry Prize Winner *cough* no big deal), and we couldn’t be more thrilled that the beauty of...
Former PRISM poetry editor Rob Taylor sat down with poet, author and former journey carpenter Kate Braid to discuss her newly released poetry collection “Elemental” (Caitlin Press, 2018).
I spoke with you briefly for PRISM international back in 2014, and at that point you noted: “Looking over my recent poems, I’m a bit alarmed to find I’m writing more personally, neither behind the mask of another or out of my experience as a carpenter – which also became a sort of persona.” True to that statement, Elemental, though certainly structured around “elemental” themes, feels in other ways like your first “general” collection (your past collections having channeled Glenn Gould and Emily Carr, among others). In that sense it feels almost like you’re living the traditional poet’s trajectory in reverse (the early, more personal/general collection, followed by themed “projects”). Do you think of this book in those terms (“general” and personal), and do you think it represents a larger shift in your preoccupations/energies as a writer? Did “removing the masks” allow you to access some more “elemental” part of yourself?