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Indigenizing Theatre: An interview with Kamloopa Fire Creator Kim Senklip Harvey

Kamloopa is an Indigenous artistic ceremony that follows two urban Indigenous sisters, Kilawna and Mikaya, and their new friend, Edith, as they struggle in their own ways to understand themselves and their cultures. As they each come to terms with what it means to reconnect with their homelands, ancestors, and one another, it becomes clear that this story is not a hero’s journey; it doesn’t follow the “typical” three act play in structure or story arc. The artistic ceremony focusses on kinship relations, rather than a central conflict: this is a journey between women, a journey that happens within, between, and outside of themselves. It’s a journey that happens on Indian time: existing now, bringing the past, and holding the future. As the three women move through the world, they face issues of assimilation, disconnection, and loss, and the audience is witness to every ignorant, painful, funny, and awkward moment of what it means to find your way home again.

Continue reading Indigenizing Theatre: An interview with Kamloopa Fire Creator Kim Senklip Harvey

“Like a chorus of girls singing a camp anthem across a deep, black lake”– A Review of Kim Fu’s The Lost Girls of Camp Forevermore

Review of The Lost Girls of Camp Forevermore by Kim Fu

Review by Katie Zdybel

In the opening pages of Kim Fu’s sophomore novel, The Lost Girls of Camp Forevermore, a newly-arrived flock of pre-teen girls gather ceremoniously on the dock to sing the camp anthem: “And I shall love my sisters/for-eve-er-more.” Continue reading “Like a chorus of girls singing a camp anthem across a deep, black lake”– A Review of Kim Fu’s The Lost Girls of Camp Forevermore

Power of the Powwow: A Review of Tommy Orange’s There There

Review of There There by Tommy Orange

Review by Cody Caetano

No need to worry if you haven’t read the dust jacket, because I got the unblinking one sentence pitch of Cheyenne writer Tommy Orange’s There There to hitch the most disinterested readers: twelve exhausted Native folks reeling from one cross-cultural massacre come home to powwow at the Big Oakland Powwow, inside a big metal dome. Continue reading Power of the Powwow: A Review of Tommy Orange’s There There

“Shows so Fringe-y they deserve their own categories” – PRISM reviews the 2018 Vancouver Fringe

Reviews of “Redemption” and “Big Sister”

Reviewed by Laura Anne Harris

Photos by Vancouver Fringe

“Redemption” by playwright James Walter Charleston is a solo show performed by Jim Sea. The piece focuses on three main characters: a prisoner who has been convicted of sexual assault, a southern lawyer who puts prisoners into reform therapy programs, and a therapist who works with prisoners to reform their behaviour. Continue reading “Shows so Fringe-y they deserve their own categories” – PRISM reviews the 2018 Vancouver Fringe