Photo credit: Emily Cooper Photography Review by Victoria McIntyre Is the internet a cult? Are online communities good for us? Is misinformation harmless or dangerous? Is the future of reality virtual? How is technology changing the way we think?...
Reviews by Tasha Hefford Fool Muun Komming! When I fall in love with a thing, I fall hard. I fall completely. I am locked into the love with a magic oblivion. I can’t see what others perceive as weird,...
Photo by Tim Matheson Review by Issie Patterson In a play centered around environmental activism and one of its heroes, an audience can generally expect discouraging statistics and brooding monologues delivered in front of images of devastated natural resources....
Photo credit: Zemekiss Photograpy Review by Issie Patterson Any reader well-acquainted with author John Irving’s love for the uncanny will be delighted with Pacific Theater’s simultaneously hilarious and moving adaptation of his seventh novel, A Prayer for Owen Meany. Adapted...
Kamloopa is an Indigenous artistic ceremony that follows two urban Indigenous sisters, Kilawna and Mikaya, and their new friend, Edith, as they struggle in their own ways to understand themselves and their cultures. As they each come to terms with what it means to reconnect with their homelands, ancestors, and one another, it becomes clear that this story is not a hero’s journey; it doesn’t follow the “typical” three act play in structure or story arc. The artistic ceremony focusses on kinship relations, rather than a central conflict: this is a journey between women, a journey that happens within, between, and outside of themselves. It’s a journey that happens on Indian time: existing now, bringing the past, and holding the future. As the three women move through the world, they face issues of assimilation, disconnection, and loss, and the audience is witness to every ignorant, painful, funny, and awkward moment of what it means to find your way home again.
Raina von Waldenburg’s play 12 Minute Madness starts simply: a janitor sweeps the bare stage before the MC, one face of protagonist Marlena von Twattenburg, makes introductions. It’s a gentle introduction to a show that very quickly, and with...
“At times my father appeared to enjoy having children,” Alison narrates, “but the real object of his affection was his house.”
As a fan of Alison Bechdel’s comics, I was pleased to see Fun Home: The Coming of Age Musical onstage in its Canadian premiere at Arts Club Theater’s Granville Island Stage in Vancouver. Fun Home, based on Bechdel’s 2006 autobiographical family tragicomic of the same title, was adapted for the stage by Lisa Kron (book and lyrics) and Jeanine Tesori (music). In its 2015 Broadway run, the show won five Tony Awards, including Best Musical. A heart-rending drama balanced with wonderful moments of levity, Arts Club Theater’s production of Fun Home met my high expectations for the show. Continue reading Moments of Perfect Balance in Fun Home: A Coming of Age Musical
Review by Sarah Higgins Creeps by David E. Freeman and RealWheels Theatre The Cultch Theatricality is put to excellent use as a catalyst for reflection in RealWheels Theatre’s production of Creeps. David E. Freeman’s play explores the experience of four...
Preview by Sarah Higgins Creeps by David E. Freeman and RealWheels Theatre The Cultch “I think what’s really important that the disability experience is the human experience,” says Rena Cohen, producer and dramaturge...