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Indigenizing Theatre: An interview with Kamloopa Fire Creator Kim Senklip Harvey

Kamloopa is an Indigenous artistic ceremony that follows two urban Indigenous sisters, Kilawna and Mikaya, and their new friend, Edith, as they struggle in their own ways to understand themselves and their cultures. As they each come to terms with what it means to reconnect with their homelands, ancestors, and one another, it becomes clear that this story is not a hero’s journey; it doesn’t follow the “typical” three act play in structure or story arc. The artistic ceremony focusses on kinship relations, rather than a central conflict: this is a journey between women, a journey that happens within, between, and outside of themselves. It’s a journey that happens on Indian time: existing now, bringing the past, and holding the future. As the three women move through the world, they face issues of assimilation, disconnection, and loss, and the audience is witness to every ignorant, painful, funny, and awkward moment of what it means to find your way home again.

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Moments of Perfect Balance in Fun Home: A Coming of Age Musical

Fun Home: The Coming of Age Musical
Music by Jeanine Tesori
Book and lyrics by Lisa Kron
Based on the graphic novel by Alison Bechdel
Review by Mikaela Asfour

“At times my father appeared to enjoy having children,” Alison narrates, “but the real object of his affection was his house.”

As a fan of Alison Bechdel’s comics, I was pleased to see Fun Home: The Coming of Age Musical onstage in its Canadian premiere at Arts Club Theater’s Granville Island Stage in Vancouver. Fun Home, based on Bechdel’s 2006 autobiographical family tragicomic of the same title, was adapted for the stage by Lisa Kron (book and lyrics) and Jeanine Tesori (music). In its 2015 Broadway run, the show won five Tony Awards, including Best Musical. A heart-rending drama balanced with wonderful moments of levity, Arts Club Theater’s production of Fun Home met my high expectations for the show.
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