To the End of Redaction In the end the news suggests stories for women over forty with big data then tells quiet predictions about the future of the weather in the end your big data diverts death to other...
Ways to Leave, or Waves
AutowarAssiyah Jamilla TouréBrick Books, 2021 Review by Catherine Harris Assiyah Jamilla Touré’s debut collection is both concrete and abstract, dissolving and rematerializing into new forms at every turn. The speaker in Touré’s collection is repeatedly reborn, shedding their previous...
The RenunciationsDonika Kelly Graywolf Press, 2021 Review by Stella Cali Donika Kelly’s second collection of poetry, The Renunciations, begins with fire as a transitional force that overwrites the physical landscape of the speaker’s body. Standing in a field, “the undergrowth...
60.2 is live! In issue 60.2, you’ll find work from the three winners of the 2021 Creative Non-Fiction Contest: Emma Zimmerman, Jess Taylor, and Daniel Kessel. This issue also features a stunning cover photo, “The Moment is Now,” by...
Our shortest-form contest is officially open for submissions until April 15! The Grouse Grind Lit Prize for V. Short Forms is judged by PRISM’s editorial board. We’re ready to dig into your flash fiction, micro-memoir, poetic hybrids and everything...
Made-Up: A True Story of Beauty Culture Under Late Capitalism Daphné B. Translated by Alex ManleyCoach House Books, 2021 Review by Alanna Why When you think of make-up, do you think of a frivolous activity or a form of self-care? For...
Interview by Diane Gottlieb Nick Olson, founder and editor in chief of the literary journal (mac)ro(mic), has a new book out, The Brother We Share—an innovative, alternate personal history, based on a true event: Olson’s 2016 suicide attempt, which...
Odes and LamentsFiona Tinwei LamCaitlin Press, 2019 Review by Cynthia Sharp Odes and Laments is one of three of Fiona Tinwei Lam’s exquisite poetry collections. The cover of Odes and Laments, designed by Vici Johnstone with photography by Janet...
