Former PRISM poetry editor (2014-15) Rob Taylor sat down with Winnipeg poet and spoken word artist Chimwemwe Undi to discuss her debut chapbook “The Habitual Be,” part of the 2017 New-Generation African Poets Chapbook Box Set (Akashic Books, 2017). Photo...
Interview by Selina Boan. Liz Howard’s Infinite Citizen of the Shaking Tent won the 2016 Griffin Poetry Prize, the first time the prize has been awarded to a debut collection. Howard received an Honours Bachelor of Science with High Distinction from the University of...
Welcome to the first installment of Between Us, a conversation series by, for, and between immigrant/first-gen Canadian writers. We’re featuring writers who move back and forth across the hyphen, straddling old country and new, negotiating ideas of home-place, belonging, and identity. Writers who create within and beyond the categories of “Canadian literature” and “Canadian immigrant literature.”
Alan Woo is a lively, open-hearted Asian Canadian author who was born in England and grew up in Vancouver. Disguised as a lanky, pink-bellied rabbit, he read his award-winning children’s book, Maggie’s Chopsticks, at Chosen Family Story Hour, a Vancouver Queer Film Festival event. His book paints a heartwarming picture of learning to find strength in your own unique nature, even when everyone is telling you to do something their way. Woo graduated from the University of British Columbia with a Master’s in Library Studies and a Minor in Creative Writing, and has written for Ricepaper, Vancouver Magazine, Arc, and Xtra. He is currently a teen services librarian at Surrey Libraries, where he often works with LGBTQ+ youth and youth of colour.
Our next Get to Know (with a few bonus added questions!) features Jan Zwicky, a poet, philosopher, essayist, and musician who will be appearing at this year’s Writers Fest in Vancouver. In 1981, Zwicky earned her PhD at the University of Toronto specializing in Philosophy of Logic and Science. Jan Zwicky has published over a dozen books of poetry, and was the recipient of the Dorothy Livesay Prize and the Governor General’s Award for poetry. After teaching for a number of years, she has finally settled on Quadra Island. Last year she came out with a collection of poetry called The Long Walk.
Deborah Willis is one of the most exciting and original talents to emerge in the last ten years. Her first short story collection Vanishingand Other Stories (2009) was nominated for the Governor General’s Award and earned several rave reviews. Her most recent collection The Dark and Other Love Stories (2017) was longlisted for the Giller Prize. Her fiction has appeared in Event, PRISM international, The Walrus, The Virginia Quarterly, The Iowa Review and Lucky Peach. Deborah is currently working on a novel and is the writer-in-residence at MacEwan University. Prism international was excited to have the opportunity to discuss with Deborah her most recent collection of unforgettable short stories. Be sure to see Deborah Willis at the Vancouver Writers Fest for How This Story Began and The Sunday Brunch. Check it out at http://writersfest.bc.ca/.
Mark Jordan Manner’s debut novel, Most Perfect Things About People, was published this year by Tailwinds Press. After a few publications in literary journals for his short fiction, it only seemed inevitable that a novel would be on the way. Told through various narrators, the story is a sprawling account of family secrets and memories, told over years by characters who are separated by geography and connect again through their own recollections of childhood memories. I was so happy to be interviewing Mark, whose stories were some of the weirdest, loveliest pieces of fiction I had read in a while.
Jen Sookfong Lee’s new book, Gentlemen of the Shade: My Own Private Idaho, is part film analysis and part cultural commentary, with glimpses of memoir. The book focuses primarily on My Own Private Idaho, Gus Van Sant’s 1991 film about two drifters—but there are asides that delve into 90s pop culture in general, with mentions of Kurt Cobain and Nirvana’s Nevermind album. My 90s memories returned to me through my reading of this short, precise analysis of 90s art and culture—a period when “our connection to beauty [was] universal, as [was] our search for identity.”
Get to Know is an interview series dedicated to introducing you to our favourite writers and contributors by way of a range of questions that touch on quotidian details, public spaces, risk-taking, and advice for emerging artists.
This week it’s our pleasure to introduce you to our summer cover photographer Yumna Al-Arashi, a Muslim American who was raised in Washington, DC, and holds a degree in International Politics with a focus on the Middle East. Al-Arashi’s work often focuses on the self-expression and strength of women—from North African matriarchs with face tattoos to nude women in a Beirut bathhouse. This October, her work will be projected onto the International Center of Photography Museum’s windows as part of “Projected,” a series that focuses on photographers “exploring empowerment, catalyzing social change, and giving voice to the unheard.” Scroll down for morning routine inspiration and some stellar music recommendations from this visionary artist.