Our “BAD” themed issue will be on stands soon, and includes work by some of Canada’s most talented and thought-provoking emerging writers. This issue is an invitation to reconsider our biases and values, and to test the limits of...
In the second half of The Boat People, a Sri Lankan immigrant—and former Tamil Tiger—poses a question to his Canadian-born niece: “What do you think happens when you terrorize a people, force them to flee, take away their options then put them in a cage all together?” (230).
The question is the ravaged heart of Sharon Bala’s remarkable debut novel, which chronicles the arrival of around 400 Tamil refugees on the coast of British Columbia in 2010. The refugees have fled persecution in Sri Lanka following the end of the twenty-six-year civil war and have come to Canada hoping for a warm welcome. These hopes are dashed when the Canadian government detains the refugees on the suspicion that some of them belong to the LTTE, also known as the Tamil Tigers, a listed terrorist organization. Eventually, some refugees are released and deemed “admissible” to Canada while others are deported back to Sri Lanka.
You are about to read a review of Thomas Trofimuk’s new novel. Perhaps you’ve seen This is All a Lie reclining against the shelf at your local bookstore, its stark white cover a breath of sanity amidst more lurid neighbours. Hesitantly, you ease it off the shelf, for you’ve been hurt before. Still, you remain optimistic that, somewhere past the bland bestsellers and the remainder bin, the perfect paperback awaits you.
Steven Peters makes an impressive entrance into the world of speculative fiction with his debut novel, 59 Glass Bridges, which began as his thesis project while studying English at the University of Calgary. Inspired in part by Lewis Carroll’s Alice’s Adventures in Wonderland, Dante Alighieri’s Divine Comedy, the fifty-nine bridges in Peters’ hometown of Calgary, and his memories, this story is dark, evocative, and compelling.
Hey, hi, come in, meet Kia Miakka Natisse, a writer and artist from Buffalo, New York, whose nonfiction piece, “I Have a Brother Named Jamaal,” about growing up alongside her autistic brother “before [autism] was a movement, before it was a puzzle-patterned bumper sticker and spectrum of disorders,” you can find in our Liminal issue, PRISM international 56.1(but read an excerpt here). Kia Miakka Natisse studied journalism at Howard University, where she earned her BA, and went on to get her Master’s in transmedia studies from NYU. Now based in Chicago, Illinois, she self-publishes text-based works through her website, kiamiakkanatisse.com. She was recently part of a group show titled “Front & Center” at the Hyde Park Art Center in Chicago and is working on completing a chapbook titled American.
We have another Liminal teaser for you! Our prose editor, Kyla Jamieson, shares an excerpt of Kia Miakka Natisse’s moving nonfiction piece, “I Have a Brother Named Jamaal,” which is about growing up alongside her autistic brother. Read the full story in the forthcoming Fall issue (56.1), available for purchase at the start of November 2017. If you don’t yet have a subscription to PRISM, you can purchase one today at our web store!
We’re holding onto summer with a flashback to our Summer Issue 55:4, which was stacked with amazing contributors. Among them was Beasa Dukes, author of “The Heart-Hum.” Read the first of the three sections of this amazing piece below and check out our interview with them here. Weren’t able to pick up a copy of the issue during the summer? No worries, you can order one here!
It’s tempting to call Next Year, For Sure, a novel about a millennial couple that happens upon polyamory, a “light” read. Because in many ways, it is a light read. Award-winning short story writer and debut novelist Zoey Leigh Peterson’s prose is deceptively addictive, the kind of writing that can easily keep a reader up until two or three in the morning. (I read it twice; I stayed up late finishing it both times.) Her main characters, nine-years-and-still-going-strong couple Chris and Kathryn, are sensitive and self-aware yuppie Vancouverites who verge on being likeable to a fault. The novel opens with Chris telling Kathryn he has a crush on Emily, a woman he met at the laundromat. Kathryn suggests he take her out on a date, the plot takes off at a brisk pace, alternating between Chris and Kathryn’s point of view as they navigate opening their relationship up to a third person over the course of the year that follows.
We’re excited to announce that the following stories have been longlisted for the first-ever Jacob Zilber Prize for Short Fiction! We received a record-breaking number of submissions to this year’s fiction contest and it was an extremely difficult reading...