“Dear Elizabeth starts deliberately slow, gathering momentum for a powerful finish” – PRISM reviews the 2018 Vancouver Fringe Festival
Review of “Dear Elizabeth”
Review by Issie Patterson
Photo by Wunderdog Theatre
Sarah Ruhl’s carefully-crafted and poignant “Dear Elizabeth” is an intimate piece for any audience with even a passing appreciation for poetry. Directed by Shelby Bushell, the show is constructed around a back-and-forth of real letters read aloud by Alexis Kellum-Creer as the witty, self-deprecating Elizabeth Bishop and Anthony Santiago as the sometimes arrogant, often intoxicatingly enthusiastic Robert Lowell.
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