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Get to Know: Casey Plett

Interview by Jessica Johns

Hello friends! Meet Casey Plett, author of Little Fish and A Safe Girl to Love and co-editor of the anthology Meanwhile, Elsewhere: Science Fiction and Fantasy from Transgender Writers. She is the winner of the Lambda Literary Award for Best Transgender Fiction and received an Honour of Distinction from The Writers’ Trust of Canada’s Dayne Ogilvie Prize for LGBTQ Emerging Writers.

During my volunteer role at Room Magazine’s 2018 Growing Room Literary Festival, I had the great pleasure of hearing Casey read from Little Fish and getting to know her in-between events. In addition to admiring her work and discussion during the panels, Casey’s behind-the-scenes demeanor was something that has stayed with me. She offered a kind of warmth, humorous levity, and generosity to the volunteers and audience members that I think goes above and beyond the expectations of writers at events, especially during a time where authors and volunteers alike are stressed, exhausted, and usually running on fumes. It is something that usually flies under the radar to the comparatively large-scale attention given to readings and panels, but one I think is important. Yesterday, I started reading Little Fish. And already the humour, care, and depth that I saw during that weekend, I’m finding everywhere in her storytelling. If you get the opportunity, get this book and go hear her read. It’s so damn worth it.

Casey’s debut novel Little Fish is out now with Arsenal Pulp Press and you can find her on Twitter at @caseyplett and at her website, https://caseyplett.wordpress.com/.

Casey will be reading at the Vancouver Public Library for Incite: Celebrating Arsenal Pulp Press Amber Dawn, Casey Plett, and Joshua Whitehead on May 23 at 7:30 pm. Do not miss it!

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I Keep Coming Back to What Gives Me Courage: An Interview with Kate Braid

Former PRISM poetry editor Rob Taylor sat down with poet, author and former journey carpenter Kate Braid to discuss her newly released poetry collection “Elemental” (Caitlin Press, 2018).

I spoke with you briefly for PRISM international back in 2014, and at that point you noted: “Looking over my recent poems, I’m a bit alarmed to find I’m writing more personally, neither behind the mask of another or out of my experience as a carpenter – which also became a sort of persona.” True to that statement, Elemental, though certainly structured around “elemental” themes, feels in other ways like your first “general” collection (your past collections having channeled Glenn Gould and Emily Carr, among others). In that sense it feels almost like you’re living the traditional poet’s trajectory in reverse (the early, more personal/general collection, followed by themed “projects”).
 
Do you think of this book in those terms (“general” and personal), and do you think it represents a larger shift in your preoccupations/energies as a writer? Did “removing the masks” allow you to access some more “elemental” part of yourself?

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Writing Light: An Interview with Sarah Selecky

Photo credit: Michelle Yee

Photo credit: Michelle Yee

Interview by Erin Steel, 

Sarah Selecky is a vegan, a Virgo, and a lover of dark chocolate. But she’s more well-known for her writing and her teaching. The New York Times called her first book, This Cake Is for the Party, “utterly fascinating.” This collection of short stories was a finalist for the Scotiabank Giller Prize and the Commonwealth Prize for Best First Book in Canada and the Caribbean, and was longlisted for the Frank O’Connor Prize. Her writing has appeared in The Walrus, The New Quarterly, and The Journey Prize Anthology. Through Sarah Selecky Writing School, she runs online creative writing and mentorship programs, and an annual international writing contest. Her new novel Radiant Shimmering Light will be published by Harper Collins Canada in May 2018.

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Get to Know: Marc Perez

Interview by Kyla Jamieson

Emerging writer Marc Perez’s story “Dog Food” appears in our “BAD” issue. Of his story, Perez says, “I once had a dog, and I named her Bruce. The story is a lament for her.” For this issue, we sought work that took us to true places along difficult or unexpected paths; “Dog Food” is one such story. In it, a boy witnesses violence he’s helpless against, and is denied understanding in the aftermath. His pain is real, but nobody sees or acknowledges it; where can it go but forwards, into his future?

Marc Perez immigrated to Canada from the Philippines and now lives on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh First Nations. Perez has been working in the nonprofit industry for the past five years; in addition to this work he is currently participating in Writing Lives, a project in which writers collaborate with Holocaust survivors to write their memoirs. Read on for Perez’s thoughts on identity and home, privilege and marginalization, and the best time to write—while asleep and dreaming.

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Get to Know: Anita Cheung

Interview by Kyla Jamieson

Anita Cheung is a Vancouver-based entrepreneur and creative who recently launched one of our new favourite websites, whereareyoureallyfrom.org (WAYRF), which features the portraits of twenty-one women of colour alongside interview clips and insights. The project evolved from Cheung’s personal investigation into what it means to be a woman of colour, particularly in our current political climate. “We are just as diverse and complex as our white counterparts,” Cheung says, and she wanted to hear “how others saw and experienced their own coloured-ness.”

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How to Interview: For Beginners and Pros

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Looking to prepare for your interview or brush up on some do’s and don’ts when interviewing? PRISM editorial assistant, Derrick Gravener, interviews poetry editor, Shazia Hafiz Ramji, to chat about the interview process. Shazia has interviewed authors such as André Alexis, Jonina Kirton, Thalia Field, and Jay Gamble, and shares steps for starting interviews as well as tried-and-true pro-tips.

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