Lauren Groff’s novel, Fates and Furies, is the first novel I was compelled to finish based almost solely off my fondness for the language. Never mind the story. (Which, by the way, is brilliant in its own right. I will get to this shortly.) Groff’s prose reads like poetry and the diction is precise, sticking to the tongue when spoken aloud:Continue reading Magnified and Shrunk: A Review of Lauren Groff’s Fates and Furies
Did you wake up under the plush derriere of your cat? How about tangled under the syrupy arms of your lover? Did you spend the night, toe-to-chin, chin-to-toe, with a friend-of-a-friend on a sunken pullout sofa in the living...
“There is a clear-cut: old life, that’s old country, and here’s there’s new life, new country. It is an advantage. You are looking at life through an old pair of eyes and a new pair of eyes. And there’s always that ambivalence––Where do you belong? And how do you belong? And I do think these are advantages of immigrant writers or writers with two languages or who have two worlds.”
We are so happy to announce that our merchandise is finally available on our store. We love our totes bags with zippers. They are stunning and have zippers! The notebooks come as a set and we love them too! Just imagine...
Olga Holin sat down with our PRISM international Creative Non-fiction Contest judge Jonathan Kemp and spoke to him about his writings and what he is looking for amongst the entries.
Review by Taryn Grant To the Back Of Beyond by Peter Stamm, translated by Michael Hoffman Other Press, 2017 At first pass the title reads with a satisfying punch and clarity: To the Back of Beyond. On further scrutiny,...
Raina von Waldenburg’s play 12 Minute Madness starts simply: a janitor sweeps the bare stage before the MC, one face of protagonist Marlena von Twattenburg, makes introductions. It’s a gentle introduction to a show that very quickly, and with...
We are happy to announce that our annual PRISM international Non-Fiction Contest is now open for submissions. We are absolutely delighted to introduce our judge from across the pond: Jonathan Kemp! Jonathan Kemp’s debut novel London Triptych (Myriad, 2010) was acclaimed...
Hello friends! Meet Casey Plett, author of Little Fish and A Safe Girl to Love and co-editor of the anthology Meanwhile, Elsewhere: Science Fiction and Fantasy from Transgender Writers. She is the winner of the Lambda Literary Award for Best Transgender Fiction and received an Honour of Distinction from The Writers’ Trust of Canada’s Dayne Ogilvie Prize for LGBTQ Emerging Writers.
During my volunteer role at Room Magazine’s 2018 Growing Room Literary Festival, I had the great pleasure of hearing Casey read from Little Fish and getting to know her in-between events. In addition to admiring her work and discussion during the panels, Casey’s behind-the-scenes demeanor was something that has stayed with me. She offered a kind of warmth, humorous levity, and generosity to the volunteers and audience members that I think goes above and beyond the expectations of writers at events, especially during a time where authors and volunteers alike are stressed, exhausted, and usually running on fumes. It is something that usually flies under the radar to the comparatively large-scale attention given to readings and panels, but one I think is important. Yesterday, I started reading Little Fish. And already the humour, care, and depth that I saw during that weekend, I’m finding everywhere in her storytelling. If you get the opportunity, get this book and go hear her read. It’s so damn worth it.
