PRISM 50:2 HAS ARRIVED!

Cara, Jordan, andrea and Erin are stoked to announce that PRISM 50.2 WINTER 2012 is now available for your reading and perusing pleasure. We’ve got daring new fiction from Wendell Mayo, Marianne Villanueva, Amy Gustine, Katie Addleman, and Corinne Stikeman! And phenomenal new poetry from Carolyn Smart, Billeh Nickerson, Leah Rae, matt robinson, Emily Carr, Allison LaSorda, and Adam Dickinson! We’ve even got a fantastic new cover photo from the very talented Ulric Collette!

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2012 NONFICTION CONTEST WINNERS!

PRISM is excited to announce the winners of this year’s nonfiction contest:

Grand Prize: ”Ice Diaries: a climate change memoir” by Jean McNeil
1st runner up: “Something as Big as a Mountain” by Jane Cawthorne
2nd runner up: “Rules of Play” by Katie Fritz

After our editorial board narrowed the huge number of entries down to eleven for the shortlist, our judge Amber Dawn selected the winners. Watch for our nonfiction contest issue in the spring — PRISM 50.3.

Thanks to everyone who participated in this year’s contest and congratulations to our winners!

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Erin Fisher wins Open Season Award

Interview conducted by Will Johnson

Last year, Victoria writer Erin Fisher won first place in PRISM’s fiction contest for her story “Bridges.” This year, Fisher repeated that success by taking the top spot in The Malahat Review’s fiction contest. PRISM caught up with Erin recently, to discuss her recent successes and her plans for the future.

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Book Porn, featuring Brian Dettmer

I guess I should call Brian Dettmer’s work “book art,” rather than “book porn,” but for bookworms, his work truly does inspire a racing heart, sweaty palms, and…other reactions. How exactly does he do it?

On Dettmer’s website, he describes how he sculpts old books into works of art:

“I begin with an existing book and seal its edges, creating an enclosed vessel full of unearthed potential. I cut into the surface of the book and dissect through it from the front. I work with knives, tweezers and surgical tools to carve one page at a time, exposing each layer while cutting around ideas and images of interest. Nothing inside the books is relocated or implanted, only removed. Images and ideas are revealed to expose alternate histories and memories.”

In collaboration with the authors of the original works, he interacts with words and pictures as they slowly emerge from the interior of the books. This interaction produces book sculptures that are striking and evocative.

I am particularly drawn to the pieces carved from books on medicine and anatomy. For example:

The Household Physicians, 2008, Brian Dettmer and Kinz + Tillou Fine Art

The Household Physicians, 2008, Altered Books, 10-1/2" x 8" x 12" - Image Courtesy of Brian Dettmer and Kinz + Tillou Fine Art

Effect of Sensory may also be detected, 2008, Image Courtesy of Brian Dettmer and Packer Schopf

Effect of Sensory may also be detected, 2008, Altered Book, 9-1/2" x 9" x 2-3/4" - Image Courtesy of Brian Dettmer and Packer Schopf

More pictures of Dettmer’s work can be found here.

Brian Dettmer – Remixed Media from Alfredo Aponte on Vimeo.

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Fun & Fearless: PRISM talks with Fiction Contest Judge Jessica Grant

Tomorrow is the deadline for our Short Fiction and Poetry contests, so we thought it’d be a good time to share some wisdom from this year’s fiction judge Jessica Grant.

PRISM: In your short story collection “Making Light of Tragedy”, the stories vary a lot in length. How do you know when a story is finished?

JG: I think if you can put a story aside for a few days, then come back to it, read it as if you didn’t write it, and find it satisfying, then it is finished.

PRISM: Can you think of an example of a story where you were really stuck and what got you unstuck?

JG: Yes, there are times when the writing is no longer fun, and then you get stuck. Or you get stuck, and the writing stops being fun. I’m not sure which comes first. In any case, if I’m not enjoying what I’m writing, then a reader will probably not enjoy reading it, so I stop and take the story in a different direction. Or I scrap it entirely and start something new. I try to write what is fun for me to write, and I keep my fingers crossed it will be fun for a reader, too.

PRISM: Best piece of writing advice?

JG: Be fearless. Remember the story is yours and you can do whatever you want. Have fun. Be honest. Write quickly and edit later.

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REVIEW: Persistence: All Ways Butch and Femme


Persistence: All Ways Butch and Femme
Ivan Coyote and Zena Sharman, eds.
Arsenal Pulp Press, 2011

Reviewed by Sigal Samuel

“Are you attracted to women more feminine than you? Then you’re butch. Are you attracted to women more masculine than you? Then you’re femme. Simple, except when it’s not.” These words, from Nairne Holtz’s essay in Persistence, get at the heart of the anthology’s mandate: to explore the two most popular lesbian identities – the “masculine” butch and the “feminine” femme – while resisting easy dichotomies and reductive stereotypes.

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PRISM’s Nonfiction Contest Shortlist!

After rounds and rounds of reading, PRISM is pleased to announce the shortlist for our 2012 Nonfiction Contest:

  • “Something as Big as a Mountain” by Jane Cawthorne
  • “Rules of Play” by Katie Fritz
  • “You Want a Social Life with Friends” by Courtney Gillette
  • “Eviction Day” by Eryn Hiscock
  • “Home Field” by T.W. Laing
  • “Ice Diaries: a climate change memoir” by Jean McNeil
  • “The Skeleton Coast” by Jean McNeil
  • “End of the Rope” by Jan Redford
  • “Pick” by Jenna Spearing
  • “Kerosene: a Love Story” by Ayelet Tsabari
  • “Snapshots” by Sarah Turner

Congratulations to the shortlisted writers! And a huge thanks to all of you who shared your writing with us.

The winner will be announced next week.

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