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The Novel That Lies Before Us: Thomas Trofimuk’s This is All a Lie

This is All a Lie

Thomas Trofimuk

Enfield & Wizenty, 2017

Review by Peter Takach

You are about to read a review of Thomas Trofimuk’s new novel. Perhaps you’ve seen This is All a Lie reclining against the shelf at your local bookstore, its stark white cover a breath of sanity amidst more lurid neighbours. Hesitantly, you ease it off the shelf, for you’ve been hurt before. Still, you remain optimistic that, somewhere past the bland bestsellers and the remainder bin, the perfect paperback awaits you.

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59 Glass Bridges

Cutting to the Core of Humanity: Steven Peters’ 59 Glass Bridges

59 Glass Bridges

Steven Peters

NeWest Press, 2017

Review by Deborah Vail

Steven Peters makes an impressive entrance into the world of speculative fiction with his debut novel, 59 Glass Bridges, which began as his thesis project while studying English at the University of Calgary. Inspired in part by Lewis Carroll’s Alice’s Adventures in Wonderland, Dante Alighieri’s Divine Comedy, the fifty-nine bridges in Peters’ hometown of Calgary, and his memories, this story is dark, evocative, and compelling.

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Chang photographed by Ayelet Tsabari and Tsabari photographed by Jonathan Bloom

Between Us: The Stories We Keep


Interview by Jasmine Sealy 

Welcome back to Between Us, a conversation series that explores how we define Canadian immigrant literature, and how writers’ journeys to Canada shape their work. Here, writers discuss the tensions and freedoms that come with access to stories of home-place, and the many ways immigrant stories contribute to the Canadian cultural imaginary.

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Nominations for the 2017 Pushcart Prize!

Our Poetry and Prose editors had a difficult time sifting through all this past year’s fantastic writing in search of our six nominees for The Pushcart Prize, but reminiscing about all of their favourite pieces was a bonus! Thank you to all the contributors who made the task both difficult and rewarding. Below is our list of nominations for the 2017 Pushcart Prize.

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Everything is Something Else: In Conversation with Billy-Ray Belcourt

Billy-Ray Belcourt is from the Driftpile Cree Nation and is a PhD student in the Department of English & Film Studies at the University of Alberta. His work has been widely published in magazines across Canada, and he has been named by Tracey Lindberg as one of six Indigenous writers to watch. In Billy-Ray Belcourt’s debut poetry collection with Frontenac House, This Wound is a World, love answers heartbreak, “history lays itself bare” (42) and a world glimmering with decolonial love and queer, Indigenous possibilities is split open. This is poetry at its brightest. It is electric, profound, necessary work. Belcourt bends genre, challenging the cage of colonialism through a poetics of intimacy. It is a collection unafraid to ask questions, exploring grief, desire, queer sexuality and Indigeneity with tender honesty. Belcourt asks us to consider the ways Indigenous bodies can be simultaneously unbound and “rendered again,” (40) how worlds can be made and unmade. These are poems to be returned to again and again with reverence. PRISM editors, Jessica Johns and Selina Boan were thrilled to be able to sit down with Billy-Ray during his Vancouver book launch and chat about Indian Time, queer Indigenous futures, and the armpit as heaven’s wormhole.

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