Our next Get to Know (with a few bonus added questions!) features Jan Zwicky, a poet, philosopher, essayist, and musician who will be appearing at this year’s Writers Fest in Vancouver. In 1981, Zwicky earned her PhD at the University of Toronto specializing in Philosophy of Logic and Science. Jan Zwicky has published over a dozen books of poetry, and was the recipient of the Dorothy Livesay Prize and the Governor General’s Award for poetry. After teaching for a number of years, she has finally settled on Quadra Island. Last year she came out with a collection of poetry called The Long Walk.
Leanne Dunic is a writer, multidisciplinary artist, singer/guitarist of The Deep Cove, and winner of the Alice Munro Short Story Prize in 2015.
Her poetic travelogue, To Love the Coming End, was published in 2017, and takes place in Singapore, Japan, and Canada. The narrator, thrown off balance by a personal loss, deftly juxtaposes the impact of grief on the human body and psyche with the patterns and rhythms of historical and natural disasters— all the while haunted by the “curse of 11.”
Leanne is featured in two upcoming events at the Vancouver Writer’s Festival. She will be reading and performing with her band, The Deep Cove, at Dance to the Coming End on Thursday October 19th at 8:30 PM at Performance Works, where the Open Book Art Collective will be showcasing their artworks inspired by To Love the Coming End.
Leanne will also appear on the True Confessions and Tall Tales panel with Hera Lindsay Bird, Dina Del Bucchia, and Zoey Leigh Peterson on Friday October 20th at 8:30 PM at the Revue Stage, where they will discuss the line between fiction and nonfiction.
The Deep Cove’s release show for their first upcoming album, To Love the Coming End of the World—a companion to Leanne’s book— will take place on Saturday November 4th at the Fox Cabaret, with a solo guest performance by José Miguel Contreras (By Divine Right).
Mark Jordan Manner’s debut novel, Most Perfect Things About People, was published this year by Tailwinds Press. After a few publications in literary journals for his short fiction, it only seemed inevitable that a novel would be on the way. Told through various narrators, the story is a sprawling account of family secrets and memories, told over years by characters who are separated by geography and connect again through their own recollections of childhood memories. I was so happy to be interviewing Mark, whose stories were some of the weirdest, loveliest pieces of fiction I had read in a while.
Prompt #13: Endings As writers, we think a lot about endings. In stories, there are good endings and bad endings, true endings, and endings that feel forced or contrived. But in real life, endings are not always straight forward:...
There are times when we feel forgotten, extraneous, and burdensome to the people or institutions in our lives. Sometimes the coin flips the other way around and we realize the people in our lives who are not our top...
It’s tempting to call Next Year, For Sure, a novel about a millennial couple that happens upon polyamory, a “light” read. Because in many ways, it is a light read. Award-winning short story writer and debut novelist Zoey Leigh Peterson’s prose is deceptively addictive, the kind of writing that can easily keep a reader up until two or three in the morning. (I read it twice; I stayed up late finishing it both times.) Her main characters, nine-years-and-still-going-strong couple Chris and Kathryn, are sensitive and self-aware yuppie Vancouverites who verge on being likeable to a fault. The novel opens with Chris telling Kathryn he has a crush on Emily, a woman he met at the laundromat. Kathryn suggests he take her out on a date, the plot takes off at a brisk pace, alternating between Chris and Kathryn’s point of view as they navigate opening their relationship up to a third person over the course of the year that follows.
Prompt #10: Loss Loss is a complicated, sometimes all encompassing, experience that comes with waves of pain, confusion, anger, and denial. Sometimes it’s a temporary loss, and other times it’s something more permanent. Whatever the case, loss is something...
Interview by Michelle Cyca. Photo by Red Works: Nadya Kwandibens
Joi T Arcand is a multidisciplinary artist from Saskatchewan, currently living in Ottawa. A nehiyaw iskwew from the Muskeg Lake Cree Nation, Joi’s body of work includes representations of the Cree language in photography and other mediums, and she has been exhibited across Canada, including at Vancouver’s grunt gallery. She co-created kimiwan, a quarterly publication for and by Indigenous visual artists and writers that published eight issues between 2012 and 2014. Her piece Northern Pawn, Southern Vietnam appeared on the Spring 2017 cover of PRISM international.