Find a Place for MeDeirdre FaganRegal House Publishing, 2022 Review by Diane Gottlieb “I have ALS.” These are the words Deirdre Fagan’s forty-three year-old husband spoke just days after Christmas 2011. Bob, the father of their children (who were...
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By Laura Anne Harris After experiencing the quintessentially small-town occurrence of sharing a cab with an older couple, only to have them pay for my entire ride, I arrived at the Malaspina Theatre in Nanaimo, British Columbia for the...
Angela of the Stones Amanda Hale Thistledown Press Ltd., 2018 Review by Katharine Beeman In her recent column for Juventud Rebelde, renowned Cuban intellectual Graziella Pogolotti wrote that “authentic art constitutes a specific way of knowing the most profound...
By Robert Colman Books discussed: Complete Physical by Shane Neilson (The Porcupine’s Quill, 2010) On Shaving Off His Face by Shane Neilson (The Porcupine’s Quill, 2015) Dysphoria by Shane Neilson (The Porcupine’s Quill, 2017) According to Deadly Force, a...
Kamloopa is an Indigenous artistic ceremony that follows two urban Indigenous sisters, Kilawna and Mikaya, and their new friend, Edith, as they struggle in their own ways to understand themselves and their cultures. As they each come to terms with what it means to reconnect with their homelands, ancestors, and one another, it becomes clear that this story is not a hero’s journey; it doesn’t follow the “typical” three act play in structure or story arc. The artistic ceremony focusses on kinship relations, rather than a central conflict: this is a journey between women, a journey that happens within, between, and outside of themselves. It’s a journey that happens on Indian time: existing now, bringing the past, and holding the future. As the three women move through the world, they face issues of assimilation, disconnection, and loss, and the audience is witness to every ignorant, painful, funny, and awkward moment of what it means to find your way home again.
Even our finite world is brimming with choices, possibilities, transformations—this struck me as the main tenet in Klara du Plessis’ debut collection, Ekke. Her resonant poems, influenced by landscape, place, the body, and art, explore the exciting and multitudinous influences that act upon us in this seemingly concrete world. Continue reading Stones Skipping Across Water: On Klara du Plessis’ Ekke